Enforced Transnational Mobility in Lukas Moodysson’s Lilja 4-Ever

Lukas Moodysson has a complicated relationship with his own national cinema whereby his work sitting on the periphery between art house cinema and popular culture. As an internationally esteemed auteur, his films have met with both national and international critical acclaim and are widely recognized through their deployment of left-wing, feminist discourses. Within Lilja 4-ever