The first part of a Danish miniseries that has been edited into two massive films, “Riget” is set in the neurosurgical ward of Copenhagen’s Rigshospitalet, the city and country’s main hospital, nicknamed “Riget”. The show follows a number of characters, both staff and patients, as they encounter bizarre phenomena, both human and supernatural. It appears on the esteemed book “1001 Movies You Must See Before You Die”.
The series is set in the neurosurgical ward of Copenhagen’s Rigshospitalet, the city and country’s main hospital, nicknamed “Riget”. “Riget” means “the realm” or “the kingdom” and leads one to think of “dødsriget”, the realm of the dead.
With his first Dogma-95 film director Lars von Trier opens up a completely new film platform. With a mix of home-video and documentary styles the film tells the story of a group of young people who have decided to get to know their “inner-idiots” and thus not only facing and breaking their outer appearance but also their inner.
A man named Seligman finds a fainted wounded woman in an alley and he brings her home. She tells him that her name is Joe and that she is nymphomaniac. Joe tells her life and sexual experiences with hundreds of men since she was a young teenager while Seligman tells about his hobbies, such as fly fishing, reading about Fibonacci numbers or listening to organ music.
A serial killer reflects on a decade long homicidal spree in the state of Washington.
A barren soundstage is stylishly utilized to create a minimalist small-town setting in which a mysterious woman named Grace hides from the criminals who pursue her. The town is two-faced and offers to harbor Grace as long as she can make it worth their effort, so Grace works hard under the employ of various townspeople to win their favor. Tensions flare, however, and Grace’s status as a helpless outsider provokes vicious contempt and abuse from the citizens of Dogville.
A cop in a dystopian Europe investigates a serial killings suspect using controversial methods written by his now disgraced former mentor. The film is the first in the director’s Europa trilogy. The other two films in the trilogy are Epidemic (1987) and Europa (1991).
The second of Trier’s films known collectively as the Europa trilogy. The other two films in the trilogy are The Element of Crime (1984) and Europa (1991). Co-written by Niels Vørsel, the film focuses on the screenwriting process. Vørsel and von Trier play themselves, coming up with a last-minute script for a producer. This story is intercut with scenes from the film they write, in which von Trier plays a renegade doctor trying to cure a modern-day epidemic. In an ironic twist, the doctor discovers that he himself has been spreading the virus.
An American, Leopold Kessler (Jean-Marc Barr) goes to post-war Germany in 1945 to work as a railroad conductor for the Zentropa Rail Line instead of going into the Army because he feels its a more valuable thing to do for the state of the world. He meets Katharina Hartmann (Barbara Sukowa), the daughter of the railroad owner and they fall in love.